Bringing together lithographs by Sam Gilliam and William Wiley with photo offset lithographs by Joan Lyons, Scott Hyde, and others this installation explores tendencies in avant-garde printmaking in the early 1970s. While some artists manipulated photo-based prints to obliterate details and introduce abstract elements, others discovered representational qualities in the textures of paint, paper, and other materials. Both groups present a fresh, intensely personal experience of the world.